16th Century Counterpoint

UUPart: The Uppsala Partimento Database (Uppsala, 2014–17)

Music Theory / 16th Century Counterpoint / Eighteenth-Century Music / Theory of Harmony / Partimento

The first printed vocal method: the Sumula de canto de organo by Domingo Marcos Durán

Music Education / Music Theory Pedagogy / Music History / Music Theory / Musicology / Renaissance Studies / Renaissance Humanism / Renaissance Art / Spanish History / History of Music Theory / 16th Century Counterpoint / Printing History / 14th-16th Centuries Counterpoint / Renaissance Music Theory / Printing / Renacimiento / Imprenta / Counterpoint / Spanish Renaissance and Baroque Art / Musicología histórica / Teoría Musical Del Renacimiento / Historia de la imprenta / music printing, early modern Germany, history of the book / Spanish Renaissance Music / University of Salamanca In Middle Ages / Renaissance Counterpoint / Universidad de Salamanca (Spain) / Renaissance Studies / Renaissance Humanism / Renaissance Art / Spanish History / History of Music Theory / 16th Century Counterpoint / Printing History / 14th-16th Centuries Counterpoint / Renaissance Music Theory / Printing / Renacimiento / Imprenta / Counterpoint / Spanish Renaissance and Baroque Art / Musicología histórica / Teoría Musical Del Renacimiento / Historia de la imprenta / music printing, early modern Germany, history of the book / Spanish Renaissance Music / University of Salamanca In Middle Ages / Renaissance Counterpoint / Universidad de Salamanca (Spain)

A Arte da improvisação musical ao teclado no Renascimento italiano: a didática do contraponto segundo Girolamo Diruta (1610)

Musicology / Renaissance Studies / Renaissance Humanism / 16th Century Counterpoint / Counterpoint

O PATHOS NA MÚSICA DO TARDO-RENASCIMENTO – NACHLEBEN DER ANTIKE E CONSTRUÇÃO DE MEMÓRIA (Late-Renaissance Music Pathos – “Nachleben der Antike” and the construction of memory)

Early Music / Early Modern History / History and Memory / Renaissance Art / Early Modern Europe / Social and Collective Memory / Cultural Memory / Early Modern Intellectual History / 16th Century Counterpoint / Italian Renaissance Art / Early Modern Italy / Nachleben / Renaissance music / 16th Century Italian Art / Aby Warburg / Renaissance Ferrara / Maneirismo / Giulio Romano, Maneirism, Maneirismo / Late Italian Renaissance music, 20th-21st c. music / Nachleben der Antike- Denkraum-Pathosformeln-Burucúa / Renaissance Florence / Pathosformeln / Aby Warburg. Mnemosyne-Atlas / Camerata De' Bardi / Ferrara Estense / Pathos Formula / Giulio Caccini / Late Italian Renaissance Music / Camerata Fiorentina / Renaissance courts of Mantua, Ferrara, and Florence / Walter Benjamin, Aby Warburg, Esthetics / aby warburg; cast collections; Antiquity / Social and Collective Memory / Cultural Memory / Early Modern Intellectual History / 16th Century Counterpoint / Italian Renaissance Art / Early Modern Italy / Nachleben / Renaissance music / 16th Century Italian Art / Aby Warburg / Renaissance Ferrara / Maneirismo / Giulio Romano, Maneirism, Maneirismo / Late Italian Renaissance music, 20th-21st c. music / Nachleben der Antike- Denkraum-Pathosformeln-Burucúa / Renaissance Florence / Pathosformeln / Aby Warburg. Mnemosyne-Atlas / Camerata De' Bardi / Ferrara Estense / Pathos Formula / Giulio Caccini / Late Italian Renaissance Music / Camerata Fiorentina / Renaissance courts of Mantua, Ferrara, and Florence / Walter Benjamin, Aby Warburg, Esthetics / aby warburg; cast collections; Antiquity
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